![]() ![]() Try to finish painting every object requiring Dry Brush before you move on. Move your stylus freely, but smoothly and irregularly, leaving some white areas, especially at the edges, and covering others, such as the bushes, completely.įor skin, clothing, and delicate areas, your brush setting should be lower still, at about 20/25%. To see a larger version, click on the image.įor foliage and the general scene, choose a brush setting of Opacity 30% and Flow 30%. Paint in the scene, changing Opacity and Flow settings to match the subject matter. During this step, Medium magnification works best.įigure 4. Make frequent snap shots so you can easily go back to previous stages. The colors will appear from the lower layers in the stack. Using the Dry Media Brush, paint with black directly on the Watercolor layer you just created (Figure 4). Invert the image (Command/Control-i), drag it to the top position, and change the blend mode to Color Dodge. Reduce Layer Opacity slightly (here it’s 80%), but not too much, or the pen and ink effect will dissolve into a more abstract, free-hand watercolor feel.ĭuplicate the blurred background layer and name it “Watercolor.” Go to Image> Adjustments> Desaturate, then change the layer blend mode to Multiply. To see a larger version, click on the image. The ink drawing layer looks a little like a paint-by-numbers. ![]() The pen and ink drawing will become the outline, making it easy to paint in the right place (Figure 3).įigure 3. The trick is to make sure that edges are fine enough to show all complex detail. Another typical setting variation is 2, 10, and 3. Go to Filter> Stylize> Glowing Edges and choose Width Edge, Brightness Edge, and Smoothness settings of 1, 12, and 3, respectively. To see a larger version, click on the image.įlatten the layer and save the file under a new name for safety.ĭuplicate the blurred layer, which is now the background, and name it “Ink Drawing.” Preparation steps are essential, because if you lose precious detail at this stage, you can never get it back. Decrease that to 20/25% for open areas, and increase it when you want to assure visible detail, such as in the very delicate wedding dress.įigure 2. On faces, use a brush setting of 50% Opacity and 50% Flow. Choose High quality and Normal mode.Ĭreate a layer mask and paint detail back into the image with the softest black brush, touched loosely over any details to be selectively preserved (Figure 2). Settings of 80/90 will be too sharp overall and 15/20 too blurry for faces. Go to Filter> Blur> Smart Blur and enter settings that range from about 50 radius and 55 threshold to 40 radius and 60 threshold. To see a larger version, click on the image.ĭuplicate the image, and name the new layer “Blur.” This image, with its lush color and iconic meaning reminiscent of Norman Rockwell, makes for a perfect story board scene for a video. For larger versions of all figures, click on the images.įigure 1. Most images will be far simpler and less time-consuming to execute. I chose a densely populated action wedding scene (Figure 1) to demonstrate how you can achieve very fine detail. You’ll need Adobe Photoshop, preferably CS2 a stylus and tablet and a full-resolution 8-bit image that has been color corrected, cropped, and manipulated for photographic accuracy. While my technique is far from automated, it requires no color mixing, no custom brushes, and once you get the feel of making strokes, it’s almost as simple as a paint by number. You don’t have to be a celebrity to achieve these effects - just follow my recipe for hand-painting delightful imagery directly in Photoshop. Celebrity interior designer Candice Olson fades her precision architectural renderings into finished interiors with the new furniture, lighting, and accessories all magically in place. The inspiration for my watercolor-conversion technique, which my company uses for standalone wall art and as storyboard introductory material in our event videos, comes from two intriguing personalities: Karl Lagerfled’s hand-colored fashion sketches for the House of Chanel metamorphose on the screen into breathing models, glamorously enfolded in texture and shimmering fabric. It’s sleek, dramatic, minimalist, and imaginative. #Fabric edge photoshop brush full#My favorite watercolor media is the fine pen-and-ink drawing, loosely stroked with brushes full of color that layer life and light and shadow, yet leave an abstract feel with plenty of unpainted white space. The secret to watercolor conversion that doesn’t scream “Digital!” is to use brush strokes that mirror the motions of an artist’s hand. Digital filters and plug-ins net only fair results when rendering the subtleties, depth, and complexities of watercolor. ![]()
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